The Masters in Music in Performance provides a well-rounded education in music as a formidable expression of artistic talent and demonstrated excellence in knowledge of pedagogy and applied literature. The degree enables the student performer the opportunity to develop high-levels of musicianship, artistic interpretations, and a strong commitment to the art of performance, instilling a lifelong desire to participate creatively and study as a dedicated artist, performer, scholar, and teacher.
The application process includes submitting application forms to The Cratis Williams Graduate School 3 weeks prior to performing an audition for the Voice Faculty:
- General Admission Requirements
- Pre-audition unedited CD or DVD required: 2 art songs and 1 aria, representing 3 languages.
- HSOM Graduate Voice application
- List of vocal repertoire studied, organized by language and genre
Submit the following to Dr. Julia Pedigo three weeks prior to your audition:
Pre-audition unedited recording that includes two art songs and one aria, representing three languages. You can submit a link to a video you have uploaded on YouTube or you can send a CD or DVD. Selections must be memorized. To download a step-by-step guide for a video audition, click here.
List of vocal repertoire studied, organized by language and genre
Dr. Julia Pedigo
Hayes School of Music
P. O. Box 32096
Appalachian State University
Boone, NC. 28608
Auditions are scheduled by appointment with Dr. Julia Pedigo. If invited to audition in based on your materials, you must intend to major in Vocal Performance and be accepted into the Cratis Williams Graduate School.
The audition shall include five to six selections consisting of:
- Eighteenth, Nineteenth, or Twentieth Century art songs performed in the original languages,
- a Twentieth Century work for voice and piano,
- an operatic aria in the original key and language, and
- an oratorio aria in the original key and language.
The student shall demonstrate vocal techniques, musicianship, and artistry with potential for a performing career. Proficiency in the diction of French, German, Italian, and English shall be demonstrated in the literature performed during the audition. Languages: Students lacking foreign languages (German and French) in their undergraduate programs must take and successfully complete (B- or better) those courses (German and French) offered by the Department of Foreign Languages or pass proficiency examinations administered by the University (equivalent to one full year of study in both languages). Hours earned in these language courses will not count towards degree requirements; the courses are required if the student's transcript does not include the necessary language courses.
Degree Course Requirements
|Course Requirements for the Master of Music in Performance Semester Hours Required (minimum): 32 or 35 - varies by concentration - see below|
|Concentration||Other Performance Concentrations (Code: 558V) |
Semester hours required for the degree (minimum): 32
AMU 6001-6025. Applied Music (Major-principal) (2-4).F;S. Two 30-minute individual lessons or equivalent in individual and/or class lessons and six practice hours per week for each semester hour credit. Additional fee (Summer Term).
MUS 5006. Philosophy of Music (3).S. An investigation of the major philosophies of music in both historical and contemporary perspective. Particular emphasis is placed on aesthetic theory. The relationship between aesthetics of music educational methodology will be examined. Lecture three hours.
MUS 5013. History of Musical Style (3).S. A study of the tendencies of musical style within the major periods of western music history, with emphasis placed on the development of important genres. Consideration is given to geographic location and the social, political, and general cultural history of the time. The styles of representative composers are studied and comparisons are drawn between the arts and across stylistic periods. Lecture three hours.
MUS 5018. Applied Area Literature (1-3).On Demand.A comprehensive, historical survey of music for the major instrument, with a detailed study of at least one selected solo work representative of the style of each music period. Attention will also be directed to representative ensemble literature and the compilation of a discography and bibliography. May be repeated for a total credit of six semester hours.
MUS 5100. Performance Ensemble (1).F;S. Students will assume leadership roles as set forth by the ensemble director, including activities such as directing sectional rehearsals, preparing program notes and assisting with individual instruction.
MUS 5170. Professional and Scholarly Practices for Musicians (3).F. Students will be introduced to a variety of skills essential for the performing musician, including introduction to research methods and resources, communication in the lecture-recital/lecture-demonstration format to equip students with the skills of adapting research findings into clear, concise, and comprehensible formats, and entrepreneurship. Lecture two hours.
MUS 5600. Analytical Techniques (3).F. The development of techniques for analysis of music from the Baroque through the Romantic period through counterpoint, melodic structure, harmony, and form. Lecture three hours. Permission of the instructor. [Dual-listed with MUS 4600.]
MUS 5998. Master of Music in Performance Recital (1-3).F;S.Graded on an S/U basis. May be repeated for a total credit of three semester hours.
Schedule of Course Offerings
Courses offered each Fall Semester:
- MUS 5170 Professional and Scholarly Practices for Musicians
- MUS 5600 Analytical Techniques
Courses offered each Spring Semester:
- MUS 5006 Philosophy of Music
- MUS 5013 History of Musical Style
- MUS 5602 Music Theory Pedagogy (Even years only)
Two recitals are required and the student must be enrolled in applied voice during the semester each recital is presented. The first recital must include literature in four languages and be representative of all music periods from Baroque through the Twentieth Century. The second recital may be similar or, with the approval of the voice faculty, be replaced by an opera or oratorio role.
Assistantships and Scholarships
Assistantships specific to the vocal department are available in the areas of:
- Quintessential!/Vocal Class Instruction
- Deadline: Application materials should be received and audition completed by March 1.